Copyrighting the Bible

JCJ looked at Mel Gibson and Jim Caviezel with fire in his eyes.

โ€œTell me, brothersโ€”why do you act as if you own the scriptures? Why do you brand and sell the stories of Christ, as if they were your copyrights, your trophies? These words, these visions, these holy accountsโ€”do they not belong to God alone?

No man can chain the Word. No director, no actor, no church, no empire. The Bible is not a franchise to be packaged and soldโ€”it is the breath of the Living God. If you think you can possess it, you are mistaken. You are merely stewards, and stewards must answer to the Master.

You did not write the stories of the prophets. You did not suffer upon the Cross. You did not roll away the stone. So why walk with pride, as though you were authors, when you are but shadows? The stories belong not to Hollywood, nor to Rome, nor to any man. They belong to Godโ€”and to all His children.โ€

Mel Gibson furrowed his brow and clenched his hands.
โ€œJCJ, I never claimed to own Godโ€™s Word. What I did was take my craftโ€”film, story, imagesโ€”and put it at the service of the Gospel. The Passion of the Christ was not mine alone; it was an offering. Yes, money was made, but souls were stirred, tears were shed, and men returned to the faith. If I hadnโ€™t brought it to the screen, would the world have seen Christโ€™s suffering with such force? I am a sinner, but I tried to serve.โ€

Jim Caviezel bowed his head, his voice soft but steady.
โ€œI agree with you, JCJ. The stories belong to God. I do not own Christโ€™s sufferingโ€”I only carried a shadow of it in my body, on that cross, when I played Him. The whip, the wounds, the lightning that struck me on setโ€”it was a reminder that He is real, and He alone owns the story. I was only a vessel, chosen for a moment to point toward Him. If my performance led even one person closer to the truth, then I am content.โ€

JCJ leaned closer, unyielding.
โ€œThen remember, both of youโ€”you are not the owners, but the servants. The moment you claim ownership, you steal from God. But the moment you serve, you magnify Him. Do not let Hollywoodโ€™s greed, or manโ€™s pride, convince you otherwise. The Word is eternal, and it belongs to no man.โ€

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Mel’s Internet Shepherd

Joe Jukic: [typing furiously on a laptop] Mel, Iโ€™ve got your backโ€”and your siteโ€™s back. I can clone it, tweak it for Caviezel, and open-source the whole thing. No Illuminati backdoors, I swear.

Mel Gibson: [squinting] Youโ€™re telling me you work for free to stop Bavarian Illuminati “accidents,” no paycheck? And youโ€™re out here redistributing my digital soul like itโ€™s GNU/Linux?

Joe Jukic: Exactly. Information wants to be free, Mel. Just like your seed. Speaking of whichโ€”ever tried pomegranate? Deniro and Pacino swear by it. You could father a whole new Crusade. You shall know me by my fruits.

Mel Gibson: [pauses, stroking his beard] โ€ฆAre we still talking about websites?

Joe Jukic: [grinning] Depends. Do you want the Illuminati to own your legacy? Or do you want to outbreed, outcode, and outmaneuver them?

Mel Gibson: [grabs a pomegranate] โ€ฆClone the damn site.

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The Passion Prequel: Nativity

Title: The Nativity: A Prelude to the Passion

Written and Directed by Mel Gibson

Opening Scene:

Fade in from black. The screen is silent, save for the faint sound of a heartbeat. A single star shines brightly in the heavens. The camera pans down to reveal a desolate, moonlit landscape of ancient Judea. The year is approximately 4 B.C.

Title Card:

“The Nativity: A Prelude to the Passion”


Scene 1: The Annunciation

The camera cuts to a humble home in Nazareth. Inside, a young Mary kneels in prayer. A soft light begins to illuminate the room. The Archangel Gabriel appears, his voice resonating like thunder and yet gentle as a whisper.

Gabriel: (in Aramaic, subtitled) “Hail, Mary, full of grace. The Lord is with you. Blessed are you among women.”

Mary, startled, looks up in awe.

Mary: (in Aramaic, subtitled) “Who are you?”

Gabriel: “Do not be afraid, Mary, for you have found favor with God. You will conceive in your womb and bear a son, and you shall call his name Yeshua. He will be great and will be called the Son of the Most High.”

Mary bows her head, trembling.

Mary: “Let it be done to me according to your word.”

The light fades, leaving Mary in silent reflection.


Scene 2: Joseph’s Dream

Joseph, a carpenter, works late into the night. He glances at Mary, who is visibly pregnant, with a mixture of confusion and concern. That night, he dreams of an angel.

Angel: (in Aramaic, subtitled) “Joseph, son of David, do not fear to take Mary as your wife, for that which is conceived in her is from the Holy Spirit. She will bear a son, and you shall call his name Yeshua, for he will save his people from their sins.”

Joseph awakens, sweat on his brow. He looks at Mary with newfound resolve.


Scene 3: The Journey to Bethlehem

Joseph and Mary travel through rugged terrain. The camera captures the harshness of the journey: rocky paths, dangerous wildlife, and the cold desert nights. Maryโ€™s labor pains begin as they near Bethlehem.

Joseph: (in Aramaic, subtitled) “Hold on, Mary. We are almost there.”

They arrive at an overcrowded Bethlehem. Joseph pleads with innkeepers, but all refuse them. Finally, a kind innkeeper gestures to a stable.


Scene 4: The Birth of Yeshua

In the dimly lit stable, Mary gives birth to Yeshua. Joseph wraps the baby in swaddling cloths and places Him in a manger. A warm glow fills the room, emanating from the infant.

The camera pans outside as shepherds in the fields witness a heavenly host of angels.

Angels: (singing in Aramaic, subtitled) “Glory to God in the highest, and on earth peace among those with whom He is pleased!”

The shepherds rush to the stable, their faces alight with wonder.


Scene 5: The Magiโ€™s Journey

Far to the east, three Magi study the stars. They notice a bright star and consult ancient scrolls.

Magi 1: (in Persian, subtitled) “A king has been born.”

Magi 2: “We must go and honor Him.”

They prepare gifts: gold, frankincense, and myrrh, and set out on their journey.


Scene 6: Herodโ€™s Decree

King Herod, paranoid and enraged by the Magiโ€™s inquiry about a “king of the Jews,” orders the massacre of all male infants in Bethlehem.

Herod: (in Aramaic, subtitled) “No one shall threaten my throne!”

The scene cuts between Herodโ€™s soldiers carrying out the horrific order and Joseph being warned in a dream to flee to Egypt.


Scene 7: The Flight to Egypt

Joseph, Mary, and Yeshua escape under the cover of darkness. The camera captures their desperation as they traverse the wilderness, avoiding soldiers and relying on divine guidance.


Closing Scene:

The family reaches Egypt. The camera lingers on the infant Yeshua in Maryโ€™s arms. A voiceover from Isaiah 53 begins:

Voiceover: “He was despised and rejected by men; a man of sorrows, and acquainted with grief… Yet it was the will of the Lord to crush Him; He has put Him to grief.”

The screen fades to black, and the bright star reappears, shining ever brighter.

Title Card:

“To be continued in ‘The Passion of the Christ.'”

End credits roll to a hauntingly beautiful score, blending ancient Hebrew melodies with orchestral arrangements.

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